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point, he argues, after which elements of realism became increasingly prominent. Since then, Hockney and Falco have produced a number of publications on positive evidence of the use of optical aids, and the historical plausibility of such methods. The camera obscura was well known for centuries and documented by Ibn al-Haitham in his Book of Optics of 10111021. "Did the great masters use optical projections while painting?
Hockney suggests that later artists, beginning with Caravaggio, used convex mirrors as well, to achieve a large field of view. Contents, setup of the 2001 publication edit, part of Hockney's work involved collaboration with Charles Falco, a condensed matter physicist and an expert in optics. "Revisiting computer vision and art". Indeed, his feats of lens making were not matched for a considerable time as he kept aspects of their construction secret; in the 1950s,.L. Ilardi documents Lorenzo Lotto 's purchase of a high-priced crystal mirror in 1549, bolstering the HockneyFalco thesis in Lotto's case. 131 Schechner, Sara. 9th International Symposium on Signal Processing and Its Applications, 2007. In Early Netherlandish painting.
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